The Jericho Press
Our press takes its name from the part of Oxford known as Jericho where Chip Coakley and his family lived from 1991 to 1993 and spent summers from 1994 to 2007. (Printing goes back before that to the 1980s when the press was set up in Luneside Studios in Lancaster. It was then just 'the Press of J. F. Coakley'.) The logo above, from a wood-engraving by Nancy Ruth Jackson, shows a woman weeping among the ruins of Jericho. The horn alludes to the story in Joshua chapter 6. The other logo, on the home page, is by Jane Lydbury and also shows the ruined city of Jericho.
From 2008 until July 2019 the Jericho Press was in Ely. The press operated in a renovated studio in the back garden at 21 Castelhythe. The house suited us as commuters to Cambridge, but Chip retired from teaching at Cambridge University in 2013, and his wife Sarah - who was the Norris-Hulse Professor of Divinity - followed in 2018. Plans were made to relocate to the United States where both the Coakley daughters live; and these plans have now been acted on. At the moment of writing this (August 2019), the printing press and equipment are on their way to the U.S. We hope to be able to announce the resumption of printing at the Jericho Press in a new place in the next few months.
In its Ely days, our printing machinery consisted of a Vandercook model 4 proofing press and an Arab crown folio treadle platen (the latter now sold). These machines, and 100+ cases of type, are the kinds of equipment possessed by many amateur letterpress printers, or at least those of a certain age who were able to equip themselves in the 1980s when commercial printers were getting out of letterpress, and when a large range of Monotype founts could be bought from trade typesetters.
The special and prized asset of the Jericho Press is a collection of oriental and other exotic types, including some old founders' types from the Oxford and Cambridge University Presses. Some of the items listed below make use of these types, especially Syriac (the subject of an article in John Randle's annual Matrix, no.10 (1990), pp.181-91). See also The Hebrew types of the Jericho Press, 2010, and The Greek types of the Jericho Press, a companion volume, 2014 (both still in print).
Other, non-exotic, books have been the result of collaborations with friends who offered interesting and significant texts to print, and with other friends, notably Andy English, who are wonderful wood-engravers. Still other books have simply been projects that seemed useful and appealing. I hope our programme of publications will continue.
You can see a picture of the Ely press and printer in January 2014, part of an article on academic private presses in the Times Higher Education Supplement.